Alan Parker belongs to that increasingly rare category of British director whose work was at once popular, ambitious and unmistakably personal. He was not a miniaturist, nor a specialist, nor a filmmaker content to remain within one tonal register. He moved restlessly between genres and scales: from the stylised bravado of Bugsy Malone to theContinue reading “Alan Parker and the Brutal Energy of Modern British Cinema”
Category Archives: Film
The Little Man in the Big House: Hercule Poirot and the Strangeness of England
Agatha Christie gave the world’s most famous detective a moustache, a foreign accent, and a profound dislike of the English countryside. It was, in every sense, the point. By Bergotte There is a village in the English imagination that has never quite existed and has never stopped existing. It has a church with a NormanContinue reading “The Little Man in the Big House: Hercule Poirot and the Strangeness of England”
What We Lose When We Love: The Way We Were and the Myth of the Perfect Compromise
It was sold as a love story. It was actually an argument about America — about politics, memory, and the terrible cost of choosing comfort over conviction. By Bergotte There is a moment near the end of The Way We Were, Sydney Pollack’s 1973 film, that has lodged itself in the cultural memory with aContinue reading “What We Lose When We Love: The Way We Were and the Myth of the Perfect Compromise”
Ways of Being Seen: John Berger and the Art of Paying Attention
Eight years after his death, the critic, novelist, and storyteller who changed how we look at art remains the most generous — and the most radical — writer England ever produced. By Bergotte There is a moment in the first episode of Ways of Seeing — the 1972 BBC television series that made John Berger,Continue reading “Ways of Being Seen: John Berger and the Art of Paying Attention”
Ripley Part II: The Many Lives of Tom Ripley: From Highsmith’s Novels to Screen Legends
When Patricia Highsmith published The Talented Mr. Ripley in 1955, she created a new kind of antihero: elegant, amoral, adaptable, and disturbingly successful. Tom Ripley not only survives but thrives, slipping into identities, murdering when necessary, and always convincing us — against our better judgment — to follow him. Over five novels (collectively known asContinue reading “Ripley Part II: The Many Lives of Tom Ripley: From Highsmith’s Novels to Screen Legends”
Ripley Part I: The Two Talented Mr. Ripleys: Page, Screen, and the Art of Ambiguity
Patricia Highsmith’s The Talented Mr. Ripley is one of the most enduring crime novels of the twentieth century. Published in 1955, it introduced Tom Ripley, a young conman who insinuates himself into the lives of the wealthy and, through a combination of charm and violence, takes their place. The book was a revelation: not aContinue reading “Ripley Part I: The Two Talented Mr. Ripleys: Page, Screen, and the Art of Ambiguity”
Werner Herzog: The Poet of the Obsessive
Werner Herzog walks through cinema like an adventurer through uncharted territory. Born in 1942 in Bavaria and raised in a remote village without electricity, he grew up with little sense that cinema even existed. When he first encountered film as a teenager, it struck him like lightning. By nineteen he had “borrowed” a camera fromContinue reading “Werner Herzog: The Poet of the Obsessive”
Our Girl Marilyn at 100
By Bergotte Published June 1, 2026 — on the occasion of her hundredth birthday Marilyn Monroe was born one hundred years ago today, and she has never stopped being alive. Not alive in the way that the famous dead are alive — as a cultural reference, as a poster on a wall, as a costumeContinue reading “Our Girl Marilyn at 100”
Buster Keaton: The Silent Stone Face
In the pantheon of cinema’s pioneers, Buster Keaton occupies a place both singular and paradoxical. He was called “The Great Stone Face,” a comic genius who rarely smiled on screen. His films, made in the silent era of the 1920s, were symphonies of precision: breathtaking stunts, elaborate set pieces, narratives that balanced absurdity with inevitability.Continue reading “Buster Keaton: The Silent Stone Face”
The Swedish Invasion: How Hollywood Fell for Its Nordic Queens
Hollywood in the 1930s and 40s was a factory of dreams, but some of its brightest stars carried with them an accent, a mystery, and a sensibility from far across the Atlantic. They were Swedish, and to American audiences they seemed to embody a northern light: cool, sophisticated, and possessed of a beauty that wasContinue reading “The Swedish Invasion: How Hollywood Fell for Its Nordic Queens”
My World of Interiors 