Essay · Film & Lives The Face That the New Wave Built Its Cathedral Around Anna Karina arrived in Paris from Copenhagen at seventeen with almost nothing, and became, within a decade, the most filmed face of the French New Wave — a presence so fully itself on screen that the camera, which usually mediatesContinue reading “Anna Karina”
Category Archives: Film
The Ten Films That Capture the Soul of America
America did not merely invent Hollywood. It invented one of the most persuasive dream machines in human history. More than any other modern art form, cinema allowed America to export itself: its landscapes, faces, appetites, terrors, fantasies, violence, tenderness, vulgarity, idealism and loneliness. The American film is not simply entertainment. At its most revealing, itContinue reading “The Ten Films That Capture the Soul of America”
Den enfaldige mördaren
Essay · Film & Memory The Angels of Skåne Hans Alfredson’s Den enfaldige mördaren — released in 1982 and almost entirely unknown outside Scandinavia — is one of the great films of its decade: a fable of class, cruelty, and avenging grace set in the flat southern Swedish countryside, carrying in its long frame aContinue reading “Den enfaldige mördaren”
A Room with a View
Essay · Literature & Ideas The View From the Window and the Cost of Looking A Room with a View is a comedy, and it is a love story, and it is a novel about Florence, and it is a sustained philosophical argument about the relationship between the body and the soul that Forster dressedContinue reading “A Room with a View”
Mel Brooks at 100: the Brooklyn kid who turned laughter into a weapon
As the last surviving titan of America’s golden age of comedy reaches his centenary, we celebrate a man who spent eight decades proving that the surest way to defeat a monster is to make a room full of strangers laugh at it There is a story Mel Brooks likes to tell about The Producers. AContinue reading “Mel Brooks at 100: the Brooklyn kid who turned laughter into a weapon”
HBC
Essay · Film & Lives The Woman Who Would Not Be Placed Helena Bonham Carter has spent forty years systematically refusing the career that her face, her name, and her early notices seemed to have arranged for her. That the career she built instead — stranger, darker, funnier, and more various than anything the corset-dramaContinue reading “HBC”
Roger Hargreaves’ The Mr. Men
Essay · Literature & Ideas Little Books, Absolute Selves Roger Hargreaves set out in 1971 to answer his son’s question about what a tickle looks like, and in doing so produced one of the stranger philosophical projects of the twentieth century: a universe populated entirely by beings who are identical to their own single quality,Continue reading “Roger Hargreaves’ The Mr. Men”
Filth Is My Politics: John Waters, Divine, and the Cinema of Glorious Bad Taste
For six decades, the Pope of Trash has been making films that Baltimore’s respectable classes would prefer not to exist. In doing so, he and his muse created something that outlasted respectability entirely — a body of work that is simultaneously the most offensive and the most loving in American cinema. By Bergotte There isContinue reading “Filth Is My Politics: John Waters, Divine, and the Cinema of Glorious Bad Taste”
Katharine Hepburn
Essay · Arts & Lives A House That Made Her Possible Katharine Hepburn did not invent herself. She was manufactured — lovingly, rigorously, sometimes mercilessly — by two of the most unusual parents that Progressive Era New England ever produced, and she spent the rest of her life living out the experiment they designed. ByContinue reading “Katharine Hepburn”
Cher and the Art of Outlasting America
Cher has lasted so long, and in so many forms, that she can seem less like an entertainer than like a permanent feature of the culture itself. She belongs to that tiny class of figures who have ceased to be merely famous and become symbolic: instantly recognisable, endlessly referential, somehow both singular and omnipresent. Singer,Continue reading “Cher and the Art of Outlasting America”
