Category: Aesthetics
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Salem Charabi: The Architecture of Belonging
From the cabinetmaking workshops of Copenhagen to the ancient craft traditions of Cairo, Danish-Egyptian architect Salem S. Charabi is developing a distinctive language of contemporary design. With a landmark exhibition in Giza, a new publication and an appearance at Design Miami Paris, his work raises larger questions about cultural inheritance, material intelligence and what it…
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What’s So Special About the Romantic Piano?
The piano is the most democratic and the most intimate instrument in the history of Western music — democratic because it found its way into the parlours and drawing rooms of the emerging middle classes, intimate because it is the one instrument on which a single person, alone, can produce a complete musical world without…
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The World as It Is: Who We Are According to Aristotle
He spent twenty years in Plato’s Academy, absorbing everything, and then he disagreed with almost all of it. He brought the Forms back down from the heavens and put them inside the things themselves. He said the soul was not imprisoned in the body but was the body’s form — what the body does when…
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Henri Cartier-Bresson
The Geometry of the Instant Henri Cartier-Bresson invented a way of seeing so complete that it became the unconscious grammar of photography itself. Then, quietly, he put down the camera and went back to drawing. He had always said it was a sketchbook, not a vocation. He meant it. Behind the Gare Saint-Lazare in Paris,…
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The Reel Argument: Kenji Mizoguchi
Kenji Mizoguchi made films about women being destroyed by the world, and he made them with a camera that moves like a conscience — slowly, continuously, unable to look away. He is the greatest filmmaker Japan has produced on the subject of female suffering, which is to say he is the greatest filmmaker Japan has…
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The Human Condition According to Dylan Thomas
Dylan Thomas believed that language was not the instrument through which experience was described but the medium in which it was created — that the poem did not report on the world but summoned it, called it into existence through the sheer incantatory force of sound and rhythm and the collision of unexpected words. This…
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Saul Bass & The Seventy Seconds That Changed Everything
Saul Bass did not invent the film title sequence. He did something more consequential: he convinced Hollywood that the audience’s first minute and a half was not dead time to be tolerated but a work of art to be made. Everything that followed — in cinema, in corporate identity, in the visual culture of the…
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What’s So Special About New Order
New Order made the most unlikely record in the history of popular music. Three people whose previous band had defined the outer limits of post-industrial English despair, whose singer had hanged himself eight months before the recording sessions began, whose entire artistic identity had been built on darkness and weight and the refusal of consolation…
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The Shadow and the Sun: Who We Are According to Plato
He was the most gifted prose writer in the history of philosophy and the most dangerous thinker in the Western tradition. He gave us the Forms, the cave, the immortal soul, the philosopher-king, and the suspicion — never quite extinguished in the two and a half thousand years since — that the world we see…
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Pieter Bruegel the Elder
Everyone, All at Once Pieter Bruegel the Elder painted crowds, seasons, proverbs, and catastrophes. He was the first painter to look at ordinary people and decide that their lives were the whole subject. Five centuries later, no one has done it better. In the lower right corner of a painting completed around 1558, a pair…
