Twenty years after her death, the great critic’s ideas about images, suffering, and the moral life feel less like history than like prophecy. By Bergotte There is a photograph that Susan Sontag never saw — or rather, she could not have seen it in the form we now encounter it, scrolling past it on aContinue reading “The Wound and the Camera: Susan Sontag and the Unfinished Project of Seeing”
My World of Interiors 