Makers & Rooms Ivan Van Mossevelde built a house of raw concrete in the Flemish countryside in 1972 for an art collector who filled it with Judd and Sol LeWitt. Decades later, a young architect spotted it through the trees during a walk, was refused entry, and spent years waiting for it to come toContinue reading “Living in Silence”
Category Archives: Art
In Times of Dragons: Tori Amos and the Mythology of Now
By Bergotte The opening line of Tori Amos’s eighteenth studio album is a command: “Shush yourself, down now.” It comes from the album’s antagonist — the “sadistic billionaire Lizard Demon husband” from whose penthouse the album’s protagonist is fleeing — and it is the most precisely chosen opening gambit she has made since the firstContinue reading “In Times of Dragons: Tori Amos and the Mythology of Now”
Les Lalanne: Where Surrealism Meets Design
In the half-century arc of 20th-century design, few names shimmer with such eccentric magnetism as Les Lalanne. François-Xavier (1927–2008) and Claude (1924–2019) Lalanne were not just artists, not just designers—they were dreamers who translated the surreal into functional form. Their creations—sheep that double as stools, a cabbage sprouting chicken legs, gilded apples, and fantastical brassContinue reading “Les Lalanne: Where Surrealism Meets Design”
Ella Fitzgerald: The Architecture of Song
To speak of Ella Fitzgerald is to speak of precision, clarity, and grace so absolute that they verge on the metaphysical. Born in Newport News, Virginia, in 1917 and raised in Yonkers, Fitzgerald emerged from poverty and the turbulence of her early life to become one of the most celebrated voices of the twentieth century.Continue reading “Ella Fitzgerald: The Architecture of Song”
Giotto: The Painter Who Opened the Window of the Renaissance
When Giorgio Vasari published his Lives of the Artists in 1550, he began the history of Renaissance painting not with Leonardo or Michelangelo, but with Giotto di Bondone. For Vasari, Giotto was the one who “translated painting from Greek to Latin” — that is, who moved art from the flat hieratic conventions of medieval iconographyContinue reading “Giotto: The Painter Who Opened the Window of the Renaissance”
Brutalism: The Concrete Truth
Born in the mid-twentieth century, Brutalism’s structures rose in raw concrete, monumental and uncompromising, shaped by ideals as much as by materials. To its defenders, Brutalism represented honesty — a moral and aesthetic rejection of ornament in favor of truth-to-material. To its critics, it was a dystopian imposition of weight and severity. Few architectural stylesContinue reading “Brutalism: The Concrete Truth”
The Voice That Didn’t Live to Hear the Echo
Venice · Art · 2026 The 61st Venice Art Biennale opens on May 9th under the title In Minor Keys. Its curator, Koyo Kouoh, died a year ago. The show goes forward entirely as she conceived it — and it may be the most important Biennale in a generation. By Bergotte · Preview, May 2026Continue reading “The Voice That Didn’t Live to Hear the Echo”
Henri Matisse: Color, Form, and the Invention of Joy
In the long arc of modern art, Henri Matisse (1869–1954) stands as the painter of joy. Where Picasso dramatized conflict and Cézanne wrestled with structure, Matisse dedicated himself to the pursuit of lightness, radiance, and serenity. His career spans from the dawn of Fauvism at the turn of the twentieth century to the radiant cut-outsContinue reading “Henri Matisse: Color, Form, and the Invention of Joy”
In Minor Keys
The Venice Biennale opens on the 9th of May. How to go, how long to stay, and why the city is as much the point as the art The Venice Biennale is the largest and oldest contemporary art exhibition in the world — 131 years old, held every two years in the city least suitedContinue reading “In Minor Keys”
Frank Sinatra and the Rat Pack: Glamour, Excess, and the Brotherhood of Cool
When Frank Sinatra walked into a room, the atmosphere shifted. His presence was magnetic: the fedora tilted just so, the cigarette smoldering between fingers, the voice as smooth as a velvet martini. But in the late 1950s and early 1960s, Sinatra’s charisma fused with the energies of a circle of friends who became more thanContinue reading “Frank Sinatra and the Rat Pack: Glamour, Excess, and the Brotherhood of Cool”
My World of Interiors 