Alan Parker belongs to that increasingly rare category of British director whose work was at once popular, ambitious and unmistakably personal. He was not a miniaturist, nor a specialist, nor a filmmaker content to remain within one tonal register. He moved restlessly between genres and scales: from the stylised bravado of Bugsy Malone to theContinue reading “Alan Parker and the Brutal Energy of Modern British Cinema”
Category Archives: Blog
Where the River Bends: Memphis and the Music That Changed the World
It is the most productive square mile in American cultural history. A city of grief and genius, of violence and transcendence, built on cotton and the blues and the unsettled accounts of race — Memphis made the modern world’s soundtrack and has never quite recovered from the effort. By Bergotte Begin with the geography, becauseContinue reading “Where the River Bends: Memphis and the Music That Changed the World”
Ivor Novello and the Lost Language of British Glamour
Ivor Novello has survived in British culture in a peculiarly ghostly form. His name remains everywhere, attached to one of the country’s most prestigious songwriting honours, and yet the man himself has drifted into soft focus. Many know the Ivor Novello Awards. Far fewer could say with confidence who Novello was, what he made, orContinue reading “Ivor Novello and the Lost Language of British Glamour”
The Little Man in the Big House: Hercule Poirot and the Strangeness of England
Agatha Christie gave the world’s most famous detective a moustache, a foreign accent, and a profound dislike of the English countryside. It was, in every sense, the point. By Bergotte There is a village in the English imagination that has never quite existed and has never stopped existing. It has a church with a NormanContinue reading “The Little Man in the Big House: Hercule Poirot and the Strangeness of England”
The Education of Helplessness: Of Human Bondage and the Novel That Refused to Lie
Somerset Maugham called it the book that saved his life. He also said it was the worst kind of novel — an autobiographical one. He was right on both counts, which is precisely why it endures. By Bergotte There is a type of novel that functions less like a work of art than like aContinue reading “The Education of Helplessness: Of Human Bondage and the Novel That Refused to Lie”
What We Lose When We Love: The Way We Were and the Myth of the Perfect Compromise
It was sold as a love story. It was actually an argument about America — about politics, memory, and the terrible cost of choosing comfort over conviction. By Bergotte There is a moment near the end of The Way We Were, Sydney Pollack’s 1973 film, that has lodged itself in the cultural memory with aContinue reading “What We Lose When We Love: The Way We Were and the Myth of the Perfect Compromise”
The Scrawl of the Gods: Cy Twombly and the Art of Forgetting
He made paintings that looked like vandalism, drawings that resembled the work of a distracted child, and sculptures that seemed to be falling apart. He also changed the course of Western art. By Bergotte There is a canvas in the Menil Collection in Houston, twelve feet wide, that appears, at first glance, to have beenContinue reading “The Scrawl of the Gods: Cy Twombly and the Art of Forgetting”
The Architecture of Silence: John Pawson and the Art of Less
He has built monasteries, fashion temples, and homes for the hyper-wealthy. But John Pawson’s real subject has always been the same: what happens when you take everything away. By Bergotte There is a room in the Czech countryside, an hour south of Prague, that has no decoration whatsoever. Its walls are limestone. Its floor isContinue reading “The Architecture of Silence: John Pawson and the Art of Less”
The Brutality of Fact: David Sylvester and the Vocation of Looking
The greatest British art critic of the twentieth century never wrote a book he was satisfied with. What he left behind instead was something rarer — a model of attention so exacting it changed what art could ask of its audience. By Bergotte There is a way of sitting in front of a painting thatContinue reading “The Brutality of Fact: David Sylvester and the Vocation of Looking”
Ways of Being Seen: John Berger and the Art of Paying Attention
Eight years after his death, the critic, novelist, and storyteller who changed how we look at art remains the most generous — and the most radical — writer England ever produced. By Bergotte There is a moment in the first episode of Ways of Seeing — the 1972 BBC television series that made John Berger,Continue reading “Ways of Being Seen: John Berger and the Art of Paying Attention”
My World of Interiors 