Category: Art

  • Where the River Bends: Memphis and the Music That Changed the World

    Where the River Bends: Memphis and the Music That Changed the World

    It is the most productive square mile in American cultural history. A city of grief and genius, of violence and transcendence, built on cotton and the blues and the unsettled accounts of race — Memphis made the modern world’s soundtrack and has never quite recovered from the effort. By Bergotte Begin with the geography, because…

  • The Scrawl of the Gods: Cy Twombly and the Art of Forgetting

    The Scrawl of the Gods: Cy Twombly and the Art of Forgetting

    He made paintings that looked like vandalism, drawings that resembled the work of a distracted child, and sculptures that seemed to be falling apart. He also changed the course of Western art. By Bergotte There is a canvas in the Menil Collection in Houston, twelve feet wide, that appears, at first glance, to have been…

  • The Brutality of Fact: David Sylvester and the Vocation of Looking

    The Brutality of Fact: David Sylvester and the Vocation of Looking

    The greatest British art critic of the twentieth century never wrote a book he was satisfied with. What he left behind instead was something rarer — a model of attention so exacting it changed what art could ask of its audience. By Bergotte There is a way of sitting in front of a painting that…

  • Ways of Being Seen: John Berger and the Art of Paying Attention

    Ways of Being Seen: John Berger and the Art of Paying Attention

    Eight years after his death, the critic, novelist, and storyteller who changed how we look at art remains the most generous — and the most radical — writer England ever produced. By Bergotte There is a moment in the first episode of Ways of Seeing — the 1972 BBC television series that made John Berger,…

  • The Wound and the Camera: Susan Sontag and the Unfinished Project of Seeing

    The Wound and the Camera: Susan Sontag and the Unfinished Project of Seeing

    Twenty years after her death, the great critic’s ideas about images, suffering, and the moral life feel less like history than like prophecy. By Bergotte There is a photograph that Susan Sontag never saw — or rather, she could not have seen it in the form we now encounter it, scrolling past it on a…

  • Raphael: The Harmony of the Renaissance

    Raphael: The Harmony of the Renaissance

    When Raphael died suddenly in 1520 at the age of just 37, Rome fell into mourning. His funeral at the Pantheon drew crowds of artists, courtiers, and clergy, all stunned by the loss of a painter whose genius had seemed inexhaustible. According to Vasari, Raphael’s death left “the art of painting bereft of light.” Even…

  • Buster Keaton: The Silent Stone Face

    Buster Keaton: The Silent Stone Face

    In the pantheon of cinema’s pioneers, Buster Keaton occupies a place both singular and paradoxical. He was called “The Great Stone Face,” a comic genius who rarely smiled on screen. His films, made in the silent era of the 1920s, were symphonies of precision: breathtaking stunts, elaborate set pieces, narratives that balanced absurdity with inevitability.…

  • Cady Noland

    Cady Noland

    Encounters America Laid Bare Cady Noland made some of the most disturbing art of the late twentieth century from beer cans, shopping carts, silkscreened celebrity mugshots, and the hardware of American violence. Then she stopped. She has barely spoken since. The silence is part of the work. By Bergotte There is a work by Cady…

  • The Eameses: Designers of the American Century

    The Eameses: Designers of the American Century

    In the light-filled hills above the Pacific, a glass-and-steel house stands as a manifesto. Inside, shelves of books and folk art mingle with modernist chairs in plywood and fiberglass. It is not simply a home, but a vision: how design could be democratic, playful, rigorous, and alive. This is the world of Charles and Ray…

  • Surrealism: The Logic of Dreams

    Surrealism: The Logic of Dreams

    Few movements in 20th-century art captured the imagination as forcefully, or as lastingly, as Surrealism. Emerging in the 1920s from the embers of Dada and the disillusionment of World War I, Surrealism sought not only to revolutionize art but to liberate human consciousness itself. It was not a style, but an attitude — a way…