Category: Biography

  • Asger Jorn

    Asger Jorn

    Encounters · No. 7 The Vandal with a Vision Asger Jorn bought other people’s paintings at flea markets and painted over them. He helped invent two of the twentieth century’s most radical movements and then walked away from both. He believed that art was not a product but a way of being alive. He was…

  • Mick Rooney, 1944–2026: The Painter of the Human Theatre

    Mick Rooney, 1944–2026: The Painter of the Human Theatre

    The British painter and Royal Academician, whose mysterious, richly coloured pictures transformed ordinary human life into scenes of dream, myth and private theatre, has died. Mick Rooney, the British painter whose strange, densely imagined figurative pictures occupied a distinctive place in British art for more than half a century, has died. Born in 1944, Rooney…

  • Peter Max, 1937–2026: The Artist Who Coloured the Counterculture

    Peter Max, 1937–2026: The Artist Who Coloured the Counterculture

    The German-born American artist, whose ecstatic suns, rainbows, cosmic figures and Day-Glo colours became part of the visual language of the 1960s, has died aged 88. Peter Max, the artist whose brilliant colours, cosmic landscapes and buoyant psychedelic imagery became almost inseparable from the visual culture of the American 1960s, died on 14 September 2026…

  • Annie Dillard, 1945–2026: The Fierce Attention of a Life

    Annie Dillard, 1945–2026: The Fierce Attention of a Life

    The Pulitzer Prize-winning author of Pilgrim at Tinker Creek, whose ecstatic, exacting prose transformed the observation of nature into an inquiry into consciousness, faith and existence, has died aged 81. Annie Dillard, one of the most singular voices in postwar American literature, died on 15 September 2026 at her home in South Wellfleet, Massachusetts. She…

  • In Memoriam – Bob Mackie

    In Memoriam – Bob Mackie

    The Sultan of Sequins Bob Mackie, who died on 14 September 2026 at the age of eighty-seven, dressed the century’s most luminous performers in the most theatrical clothes ever made for a body. He understood, better than almost anyone in the history of costume, that a great dress was not decoration but transformation — that…

  • The Reel Argument: Rainer Werner Fassbinder

    The Reel Argument: Rainer Werner Fassbinder

    By Bergotte Rainer Werner Fassbinder made forty-four films in sixteen years, and then he died at thirty-seven of a drug overdose in a Munich flat in 1982, and the output is so staggering and the life so short that the mathematics alone feel like an argument — an argument that something was burning in this…

  • The Human Condition According to Henry James

    The Human Condition According to Henry James

    By Bergotte Henry James believed that consciousness was the most important thing in the world. Not action, not achievement, not the accumulation of experience in the traveller’s sense — the places visited, the people met, the events survived — but the quality of attention brought to experience, the precision and depth with which a mind…

  • Villa Nava by Francesco Castiglioni

    Villa Nava by Francesco Castiglioni

    Francesco Castiglioni made that declaration. The house he designed in the early 1970s on Via Ippocastani — known as Villa Nava, a building that has been featured in the international architectural and design press with the consistency that attaches to buildings of genuine formal intelligence — is not a house that apologises for what it…

  • John Galliano: The Theatre And The Ruin

    John Galliano: The Theatre And The Ruin

    The cancelled Metropolitan Museum retrospective has reopened one of fashion’s most difficult questions: what should history do with an artist whose creative achievement is inseparable from an act of profound disgrace? By Bergotte The Metropolitan Museum of Art did not merely cancel an exhibition when it abandoned John Galliano: Horizons, the major retrospective that had…

  • Peter Pennoyer

    Peter Pennoyer

    Makers & Rooms — Essay V The Classical Present Peter Pennoyer builds in the tradition of McKim, Mead and White and sees nothing remotely conservative about it. In an architectural culture that treats ornament as embarrassment and history as weakness, he has spent thirty years making the case that the classical orders are not a…