Category: Aesthetics

  • We Are All the Monster: Frankenstein, Late Capitalism, and the Things We Made and Left to Die

    We Are All the Monster: Frankenstein, Late Capitalism, and the Things We Made and Left to Die

    Mary Shelley was nineteen years old when she wrote the defining myth of the modern world. She probably did not know she was doing this. Two hundred years later, the novel she produced in a wet summer beside a Swiss lake reads less like a Gothic romance than like a diagnosis — precise, unflinching, and…

  • Anne Sexton

    Anne Sexton

    Essay  ·  Poetry & Lives The Woman Who Made Death Speak in Stanzas Anne Sexton wrote about madness, abortion, adultery, menstruation, incest, and suicide with a directness that the literary establishment of the late 1950s had agreed, without quite stating it aloud, was not available to women. She made it available. The cost was everything…

  • Sarah Vaughan

    Sarah Vaughan

    Essay · Music & Lives The Divine One and the Instrument She Was Given Sarah Vaughan possessed what may have been the single greatest natural voice in the history of American popular music — a contralto of three-octave range, extraordinary richness, and an improvisational intelligence so developed that it functioned less like singing and more…

  • The Human Condition According to Chekhov

    The Human Condition According to Chekhov

    By Bergotte After Homer’s wars, Ovid’s metamorphoses, Dante’s cosmology, Shakespeare’s kingdoms, and Dostoevsky’s metaphysical detonations, Anton Chekhov arrives with a doctor’s bag and a short story about a man who cannot sleep. The reduction in scale is not a diminishment. It is an argument. What Chekhov understood — and what makes him the most quietly…

  • Joan Rivers

    Joan Rivers

    Essay · Comedy & Lives Can We Talk? Joan Rivers was the funniest woman in the history of American comedy, and the qualifications embedded in that sentence — the word woman, the word history — are themselves part of the argument she spent sixty years making: that the comedy establishment’s willingness to tolerate her existed…

  • Hans Christian Andersen: The Story of a Mother

    Hans Christian Andersen: The Story of a Mother

    Grief, Sacrifice, and the Limits of Maternal Love: Jørgen Vestergaard’s Historien om en moder (1977) By Bergotte The Story of a Mother Here is a film that is seared into my memory from childhood: Jørgen Vestergaard’s 1977 Danish stop-motion animated short Historien om en moder (The Story of a Mother) represents one of the most…

  • Mad, Bad, and Dangerous to Know: Byron, the Romantics, and the Heroic Pose

    Mad, Bad, and Dangerous to Know: Byron, the Romantics, and the Heroic Pose

    They were young, they were beautiful, they were consumed by their own myths and their own fevers before any of them reached forty. Byron, Shelley, and Keats between them invented the idea of the artist as hero — as outcast, visionary, martyr to beauty and freedom. The invention was magnificent and partly fraudulent and changed…

  • Leonard Cohen & David Bowie

    Leonard Cohen & David Bowie

    Essay · Music & Ideas Two Ways of Dying in Public Leonard Cohen and David Bowie both knew they were dying when they made their final albums. Both kept the knowledge largely to themselves. Both produced, from that knowledge, work of extraordinary quality that addressed mortality directly and without evasion. And there the similarity ends…

  • Ovartaci

    Ovartaci

    Essay · Art & Lives The Chief Loon and the World Inside the World Ovartaci lived for fifty-six years inside a psychiatric hospital in Risskov, near Aarhus, and made, in those fifty-six years, approximately a thousand works of extraordinary formal intelligence and phantasmagoric density — paintings, drawings, sculptures, mixed media pieces built from whatever materials…

  • Eddie Murphy

    Eddie Murphy

    Essay · Comedy & Culture The Force That Arrived at Nineteen Eddie Murphy is the most naturally gifted comedian America has produced in the second half of the twentieth century, and the case for this claim is not primarily about the films, though the films at their best are extraordinary, and not primarily about the…