Nobody Home: Cindy Sherman and the Self That Isn’t There

She has been a clown, a centrefold, a society matron, a fairy-tale victim, a film noir ingénue, a Renaissance duchess, a party guest, a disaster. She has never, in fifty years of making photographs, been herself. This is not evasion. It is the most radical position in contemporary art. By Bergotte There is no portraitContinue reading “Nobody Home: Cindy Sherman and the Self That Isn’t There”