By Bergotte Mulatu Astatke went to music school in London, studied jazz in Boston, played vibraphone in New York, and then went home to Ethiopia and made something that had never existed before. He took the pentatonic scales and ancient modal structures of Ethiopian music — a tradition reaching back centuries, untouched by the WesternContinue reading “What’s So Special About Mulatu Astatke”
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What’s So Special About Laura Nyro
By Bergotte Laura Nyro wrote some of the most commercially successful songs of the late 1960s. She also made some of the least commercially successful records of that era — records so strange, so emotionally extreme, so structurally unwilling to behave, that the music industry dealt with her the way a mining company deals withContinue reading “What’s So Special About Laura Nyro”
What’s So Special About Nick Drake
Nick Drake made three albums between 1969 and 1972, sold almost none of them, and died at twenty-six of an antidepressant overdose in the bedroom of his parents’ house in rural Warwickshire.
What’s So Special About Joni Mitchell
By Bergotte Joni Mitchell did not simply write songs about her life. She invented a language for the interior life of a woman at the precise moment in history when no such language was thought to be necessary — and then she kept reinventing it, album by album, tuning by tuning, until she had producedContinue reading “What’s So Special About Joni Mitchell”
In Times of Dragons: Tori Amos and the Mythology of Now
By Bergotte The opening line of Tori Amos’s eighteenth studio album is a command: “Shush yourself, down now.” It comes from the album’s antagonist — the “sadistic billionaire Lizard Demon husband” from whose penthouse the album’s protagonist is fleeing — and it is the most precisely chosen opening gambit she has made since the firstContinue reading “In Times of Dragons: Tori Amos and the Mythology of Now”
My World of Interiors 