Sicily is not simply a destination — it is a world unto itself. The largest island in the Mediterranean, it has been shaped by centuries of conquest and exchange: Greek temples, Arab domes, Norman mosaics, Baroque facades, and modern dolce vita all coexist under the same sun. To travel here is to move through layersContinue reading “Sicily: An Island of Infinite Layers”
Author Archives: My World of Interiors
Renzo Mongiardino: The Alchemist of Interiors
In the pantheon of 20th-century design, few names carry the mystique of Renzo Mongiardino. Architect, set designer, decorator, and illusionist, he transformed interiors into immersive worlds where memory, theater, and craftsmanship converged. To step into a Mongiardino room was to enter a space both ancient and imagined — a palimpsest of cultures layered with painterlyContinue reading “Renzo Mongiardino: The Alchemist of Interiors”
David Bowie: The Man Who Fell to Earth and Never Stopped Shaping It
Few artists of the 20th century lived as many lives — and left as many indelible marks — as David Bowie. Singer, songwriter, actor, painter, fashion icon, and cultural shape-shifter, Bowie was more than a musician: he was a prism through which entire generations refracted their desires, anxieties, and dreams. From Ziggy Stardust to theContinue reading “David Bowie: The Man Who Fell to Earth and Never Stopped Shaping It”
Dora Maar: The Radical Eye of Surrealism
In the pantheon of 20th-century modernism, few figures are as enigmatic as Dora Maar. For decades she was remembered primarily as Pablo Picasso’s lover — immortalized in fractured portraits of weeping women, her anguish refracted through the painter’s cubist lens. But Dora Maar was far more than a subject in someone else’s story. She wasContinue reading “Dora Maar: The Radical Eye of Surrealism”
Five Films with Incredible Style II
Some films leave their mark not just in story, but in the way they look and feel. Cinema at its best shapes how we dress, how we decorate, even how we imagine entire eras. Here are five more films where style and storytelling are inseparable. The Great Gatsby (1974) – Jack Clayton Mia Farrow’s chiffonContinue reading “Five Films with Incredible Style II”
Oscar Wilde: The Art of Living and the Cost of Being
Oscar Wilde once wrote that “one should either be a work of art, or wear a work of art.” Few figures in modern literature have embodied that maxim as completely as he did. Dandy, dramatist, aesthete, wit, martyr: Wilde’s life was not merely lived but staged. He was at once a literary force, a culturalContinue reading “Oscar Wilde: The Art of Living and the Cost of Being”
Grand Hotel Tremezzo, Lake Como: Liberty-Style Splendour on the Water
Few places capture the glamour of Lake Como quite like the Grand Hotel Tremezzo. Rising from the shoreline in a blaze of Belle Époque grandeur, this Liberty-style palace is a living ode to Italian elegance — a place where art nouveau flourishes meet the serenity of the lake and the drama of the surrounding Alps.Continue reading “Grand Hotel Tremezzo, Lake Como: Liberty-Style Splendour on the Water”
Affordable Style: Inns and Guesthouses of the Cotswolds
The Cotswolds, with its honey-coloured stone villages, rolling hills, and hedgerow-lined lanes, is one of England’s most beloved regions. While grand country houses and five-star spas dot the landscape, the true magic often lies in its smaller inns and guesthouses. Here, oak beams, roaring fireplaces, and gardens filled with roses provide an atmosphere that feelsContinue reading “Affordable Style: Inns and Guesthouses of the Cotswolds”
Wes Anderson: The Architect of Whimsy and Nostalgia
In the cinematic landscape of the past quarter-century, few directors have crafted a style so immediately recognizable — and so obsessively imitated — as Wes Anderson. His frames are dioramas, his colors symphonies, his characters misfits in corduroy and eyeliner. To watch a Wes Anderson film is to step into a world where every object,Continue reading “Wes Anderson: The Architect of Whimsy and Nostalgia”
Sofia Coppola: Dreamscapes of Isolation and Intimacy
When Sofia Coppola released The Virgin Suicides in 1999, critics marveled at the quiet assurance of her debut. Here was a director who seemed uninterested in grand gestures or dramatic flourishes. Instead, she let atmosphere carry the story: gauzy light, suburban lawns, the ephemeral melancholy of adolescence. In many ways, Coppola’s first film announced notContinue reading “Sofia Coppola: Dreamscapes of Isolation and Intimacy”
