When Gattaca premiered in 1997, it seemed almost too sleek, too elegant, for the dystopian genre it occupied. Directed by Andrew Niccol, the film offered a future not of neon overload or cyberpunk chaos, but of restrained architecture, immaculate tailoring, and quiet menace. It was science fiction disguised as modernist design — a cautionary taleContinue reading “Gattaca: A Vision of the Future in Perfect Style”
