Tracey Emin has always been more than the enfant terrible of the Young British Artists. Emerging in the 1990s as one of the central figures of Cool Britannia, she became a cultural lightning rod: provocative, confessional, uncompromising. Her work — from the notorious My Bed (1998) to her searing neon texts — has often beenContinue reading “Tracey Emin: From Cool Britannia to Enduring Voice”
