Robert Downey Sr. occupies a singular, unresolved position in American film history. Too unruly for canonisation, too intellectually rigorous for cult marginality, his work resists assimilation into the stabilising narratives of New Hollywood, experimental cinema, or political satire. Yet it is precisely this resistance—formal, ideological, and temperamental—that marks Downey Sr. as one of the mostContinue reading “Robert Downey Sr. and the Anarchic Intelligence of American Cinema”
