Among postwar artists, Roy Lichtenstein (1923–1997) most vividly embodies the paradox of high and low culture. His name is virtually synonymous with Pop Art, a movement that sought to collapse the distance between everyday images and fine art, between the mass-produced world of comics, advertising, and consumer culture, and the sanctified walls of museums. YetContinue reading “Roy Lichtenstein: The Grammar of Pop and the Art of Quotation”
