Annie Hall: Neurotic Romance and the Language of Love

When Annie Hall premiered in 1977, it rewrote the rules of the romantic comedy. Woody Allen’s film — intimate, self-reflexive, simultaneously comic and melancholic — offered a portrait of love not as escapist fantasy but as memory: fractured, playful, and painfully human. In a decade dominated by the epic (from Jaws to Star Wars), AnnieContinue reading “Annie Hall: Neurotic Romance and the Language of Love”