Lee Miller at War: The Camera as Witness

When Lee Miller picked up her Rolleiflex and walked into the ruins of Europe, she left behind the world of glossy magazine covers and Surrealist salons. Her photographs of World War II — published in Vogue between 1940 and 1945 — transformed her from a society beauty into one of the most unflinching photojournalists ofContinue reading “Lee Miller at War: The Camera as Witness”