When Robert Altman released The Long Goodbye in 1973, the film was met with bewilderment. Audiences expecting a classic Raymond Chandler adaptation were confronted instead with a languid, ironic, and deeply disenchanted vision of Los Angeles. Altman transformed Chandler’s hard-boiled detective story into a commentary on America’s crumbling myths in the early 1970s — aContinue reading “Robert Altman’s The Long Goodbye: Neo-Noir in a Sunlit Los Angeles”
My World of Interiors 